Showing posts with label Canon. Show all posts
Showing posts with label Canon. Show all posts

Tuesday, February 28, 2012

Collection

Sharing some of my collections over the years:

2012 © dzignous

NIKON: 

Left:
D1
D2X
D200 + MB-D200
D300 + MB-D10
D70

Center:
F5
F80S + MB-16
F80D + MB-16
F75D + MB-18
F60QD
F65
F65D

Right:
F90X + MB10
F801s
F601QD
F401X
F501
EM



2012 © dzignous






NIKKOR: 

AFS 70-200mm f2.8 G VR
AFS 17-55mm f2.8 G DX
AFS 18-70mm f3.5-4.5 G DX
AF 50mm f1.8 D x 2
AF 28-70mm f3.5-4.5 D
AF 35-70mm f3.3-4.5
AF 28-100mm f3.5-5.6 G
MF 50mm f1.8E



2012 © dzignous

CANON:

D30
10D + BG-ED3
EF 50mm f1.8 II


2012 © dzignous

OLYMPUS:

E3 + HLD-4
E450
Zuiko ED 12-60mm f2.8-4.0 SWD
Zuiko 14-42mm f3.5-5.6 ED
FL-56R


2012 © dzignous

SEAGULL/ZORKI:

Seagull 4B-1
Zorki 4K
Industar-22



Wednesday, September 28, 2011

Phottix Atlas Trigger

For a long time, PocketWizard has being known as the top best wireless trigger-maker in the photography scene, particularly with their ultra popular PocketWizard Plus II™ transceiver.

PocketWizard Plus II


Until recently, Hong Kong-based company Phottix, announced the brand new Atlas Professional Wireless Flash Trigger (CE 433 MHz version) which incidentally looks very similar in design with the Plus II. Remote shutter release is also possible but you will need to purchase an optional 10-pin shutter-release cable.



© Phottix



Phottix Atlas Features

  • Use as wireless flash, studio trigger or shutter release
  • Automatically switches to transmit or receive mode when attached to a camera or flash, and triggers flashes
  • A hot shoe port (for speedlights w/o PC-sync terminal ) and PC Sync port for attaching flashes and strobes
  • Sync Speed: Up to 1/250 sec. (On compatible cameras / flashes)
  • 4-channel
  • Shoot from 100+ meters away (or longer, depending on actual shoot condition)
  • Simultaneously trigger cameras, flashes, and studio strobes with a single remote
  • Equipped with a two-color status LED
  • Uses two AA Batteries or DC power port 
  • Accessories include locking PC-sync, 3.5mm, 1/4″ mini plug, batteries and lanyard


Overview

3.5mm connections

Metal hot-shoe (You can also put another brand of wireless flash trigger on the hotshoe to trigger a different set of remote flashes in sync with the Atlas remotes.

Utilizes two AA's batteries

1/4" screw mount

Phottix Atlas + Canon 5D mark II (front)

Phottix Atlas + Canon 5D mark II (back)

Ease of operation, works flawlessly combined with great design and superb performance at only 70% price of the PocketWizard Plus II's, it's really hard to beat this kind of benchmark.


Friday, September 16, 2011

DSLR Speaker?

Couldn't resist the temptation when I came across this on eBay and bought it straight away. This is basically a 1:1 Canon 7D + 24-105mm replica speaker model that can be paired up with any mobile phones (including iPhone/iPod!) or mp3 devices with the included standard 3.5mm jack plug.

Original packaging
SD/USB/mini USU/3.5mm jack/DC
Got a remote control too!

Runs on 4 x AAs

Cover cap for the body when lens is removed

Alternate view (left)

Alternate view (right)

Various standard playback/pause/rewind/forward buttons



Lens (speaker) detached
Frontal view

Along side by side with an Olympus E3 + 12-60mm
Sound quality wasn't that great but it sure looks a whole lot better and more unique than any other mp3 speakers!



Sunday, September 11, 2011

Canon Lens Code

Canon EF 16-35mm f/2.8 USM II © dzignous

Canon have an unique way of documenting their lens manufacturing dates. Looking at the back (mount) of the lenses is a six-digit code, which indicates where and when the specific lens was manufactured.
E.g. - "UY1112"

The first letter 'U' represents the factory that made the lens:

  1. U = Utsunomiya
  2. F = Fukushima
  3. O = Ōita

The second letter 'Y' represent the year of manufacture:

    •    A = 1986, 1960
    •    B = 1987, 1961
    •    C = 1988, 1962
    •    D = 1989, 1963
    •    E = 1990, 1964
    •    F = 1991, 1965
    •    G = 1992, 1966
    •    H = 1993, 1967
    •    I = 1994, 1968
    •    J = 1995, 1969
    •    K = 1996, 1970
    •    L = 1997, 1971
    •    M = 1998, 1972
    •    N = 1999, 1973
    •    O = 2000, 1974
    •    P = 2001, 1975
    •    Q = 2002, 1976
    •    R = 2003, 1977
    •    S = 2004, 1978
    •    T = 2005, 1979
    •    U = 2006, 1980
    •    V = 2007, 1981
    •    W = 2008, 1982
    •    X = 2009, 1983
    •    Y = 2010, 1984
    •    Z = 2011, 1985

The next two digits represent the month of the lens is manufactured. The last two digits are for internal Canon use. Thus the 16-35mm f2.8 L USM II (UX0903) shown was made in Utsunomiya, Japan factory in Sep 2009.

So the next time when you like to know how "old" is the 2nd hand Canon lenses that you are going to buy, take a look here for some general reference.



Sunday, September 04, 2011

[PS] Carbon Fiber DSLR

Since film time to recent digital age , all top camera/lens models are make of either magnesium alloy/titanium or polycarbonate for entry-level models.



Nikon D3X


Canon 5D Mark II


Olympus E3


Sony A900


However, in terms of looks and durability, carbon fiber might seem to be a good choice too. Some enthusiastic (including me... hee...) had already used carbon fiber vinyl decals to gaffer their prized collection and the final result looks really good.


3M Carbon Fiber Vinyl

© dzignous


If only there is a real carbon-fiber DSLR/lens and I believe it will look damn fantastic! Agree?


© dzignous


© dzignous



[Vid] Photo stolen. Pay me!

Something all photographers that can relate to...




Thursday, August 18, 2011

Players in DSLR market

Major players in the market now consist of Canon, Nikon, Sony, Samsung, Panasonic, Olympus, Pentax and maybe Leica (niche market).

However, Canon, Sony, Panasonic and Samsung have the biggest advantage among all as they have the CCD/CMOS sensor-making technology.



© Canon

Canon -
With more than 70 years of experiences, Canon held the biggest pie with their ultra-successful EOS cameras and tons of superior EF/EFS lenses. They were once the ONLY brand with the highest megapixel full-frame DSLR system (1Ds -11mp, 1Ds Mark 2 -16mp, 1Ds Mark 3 -21mp) after Contax and Kodak dropped from the market, but was de-throned by Sony in 2008 after they introduced A900 (24.6mp) and subsequently the Nikon D3X (24.5mp).



© Sony


Sony - 
Supplier of sensors for many brands (including Nikon!), Sony is fast catching up after the merging with the failing Konica/Minolta camera division along their anti-shake (the FIRST in-camera anti-shake system in a DSLR) technology. From the very first APS-C A100 to full-frame A900/A850, the recent NEX/SLT cameras also helps Sony grabbing more shares than ever.



© Nikon

Nikon -
The world's no. 2 player had one of the longest history and famed for its legacy F-mount (you can even use a 1950s lens for your D7000!). Although they were late in entering the full-frame market with the legendary D3 in 2008, lots were re-written in history.
  • First ever camera to hit ISO 12800
  • Noise-less ISO 6400 images
  • The only full-frame camera to be able to use both FX and DX lenses
  • First 3 inch VGA LCD with 307,000 pixels (922,000 dots)
  • Camera grip and body style designed by Giorgetto Giugiaro and lots more

© Panasonic

Panasonic -
Panasonic enters the market with their Lumix 4/3 system,  DMC-L1 and follow up with newer micro 4/3 cameras such as G, GH and GF series. 



© Olympus

Olympus - 
Designed from ground up, Olympus and Kodak pioneered the open-format Four Thirds system and the very first E1 was introduced in Nov 2003. Their initial marketing concept was to have smaller sensor size so as to make possible smaller, lighter camera bodies and lenses. However small sensors suffered from various problems like lower dynamic range, noise, limited shallow DOF etc.

The size and weight of their flagship camera bodies (E1, E3, E5) were not having obvious advantages over other brands. Thus in 2008, Olympus and Panasonic finally introduced the Micro Four Thirds system (MFT), reliving their very first aim of creating a small, light system with the benefits of having interchangeable lens and easy controls for point-and-shoot users to upgrade from their compact cams.

Following the success with the EP/EPL/G/GH/GF series, both manufacturers began to chunk out newer MFT models and lenses. Four-third system looks set to RIP soon.



© Sony

Nevertheless, Sony NEX, Samsung NX series (mirror-less cams), both using APS-C sensors (bigger than MFT) and the rumored Canon/Nikon similar concept cameras look set to be a tough competitors to the MFT as the bigger sensors still have the obvious advantages. 


Not long in the future, we should be able to see more similar small mirror-less cameras in the market and probably one that comes with a full-frame sensor.


Wednesday, June 08, 2011

Camera Shutter Life


D2X Sensor


Nowadays DSLR rarely fails but if it does, main major repair needed will be failed/roasted sensor (which can amount to a price of a new cam) and next will be replacing shutter (most probably a few hundreds replacement cost).



D3 Shutter Unit


To check how long cam shutter can last, check out here. If your model is not listed there, then a quick Google search should provide you with an answer very quickly.

However, one shouldn't get too anal about shutter life. e.g. Nikon D300 has an estimated 150,000 shutter life which ≤ to:

100 shots/day
3000 shots/mth
36,500 shots/yr x 4yrs = 146,000 shots

A whopping 4 whole years to even hit that amount and I bet by that time you would have gotten a new one! Start shooting and stop worrying!!!